The Cure - 4:13 Dream album review

This makes it into my top ten Cure albums (beating Wild Mood Swings, The Cure and The Top) and one that I’m sure will just get better the more I hear it - as with most Cure albums - 1980's Seventeen Seconds is still improving with each listen.

4:13 Dream - The Cure Buy on Amazon

Favourite album track - 7. The Hungry Ghost
Favourite single(s) - 9. The Perfect Boy & 11. Sleep When I'm Dead (I can't decide!)

Underneath The Stars - The album kicks off with the atmospheric "Underneath The Stars" which sounds like something straight off of 1989's Disintegration. The echoey guitars, and the slow but strong drum beat remind me of Plainsong, Last Dance and Prayers For Rain while the wind chime sounding bells could almost be a sample straight from Pictures Of You. It also follows a similar balance of vocal to music as the Disintegration album tracks, with the vocal not leading the song but almost sounding like an extra instrument - this is in stark contrast to some of the more vocal led singles like Sleep When I'm Dead. Towards the end of the song it also features the reverbing guitar melody that I haven't heard since Wish, I’m glad it's back.

The Only One - described in many reviews as the 'back to the classic Cure pop single'. No chance! This is as far removed from Close To Me, The Lovecats, Friday I'm In Love and In Between Days (which I consider Cure pop) as the first track was. It's certainly upbeat but it's very much in the vein of the recent Cure singles off the previous album (The Cure) such as Taking Off. This one needs a few more listens before I really know whether I like it or I just consider it a poor imitation of Taking Off. I do love the final lyrics of the song though "Oh I love, Oh I love, Oh I love, What you do to me."

The Reasons Why - The last Cure song to have a first line as good as this was the first track on Pornography - One Hundred Years - that led you straight into the album with "It doesn't matter if we all die". Robert's clearly lost his worldly distress and is far more self focussed penning the classic, "I won't try to bring you down about my suicide" - well that's kind of him. If Underneath The Stars reminded me that Robert hadn't lost his knack at poignant lyrics, this track reminds me that he's still got a (sick) sense of humour, I love it.

Freakshow - The weakest single and weakest live performance if you believe all the talk on blogs. I must admit that when I saw this live back in March I decided beer was more interesting and went to the bar after the first couple of verses but it's getting better. I remember first listening to Wild Mood Swings and thinking 'What the f*ck?!' and that album has grown on me over 10 years. It's possible however that this single will be moved to the back of my Cure single collection next to Wrong Number.

Sirensong - Unlike the previous four tracks I can't compare this to previous Cure. It's very different sounding and lyrically to anything that's gone before. I really hope the Cure keep exploring different avenues in their music if they make any more albums. It was for this reason that I loved Bloodflowers which I felt was quite a change from the usual when it was released.

The Real Snow White - This bored me. Although I do like the amusingly dubious lyrics, "You're not the real Snow White, The real Snow White is on my knee, I didn't need to get ID, It's simply minimum height, And getting all dressed up, In seven ways to please, Yeah."

The Hungry Ghost - At this early stage (on my 4th listen to the album!) this is the stand out track on the album for me. It's got everything I love about the Cure, it's full of screamingly vivid lyrics, every verse runs off into the distance on the back of a foot tapping rhythm and the guitar takes off through every chorus. I really want to hear this track live.

Switch - The beginning of Switch reminds you Smith is a Hendrix fan. A rocking track throughout, but that intro is the best bit.

The Perfect Boy - I've become a huge fan of the Fall Out Boy remix of this on the Hypnagogic States EP as it turns a great single into a tune that fits well into a DJ night dance mix. The first bars of the remix also bear a striking resemblance to the equally good in a DJ set, Valerie cover by Mark Ronson and Amy Winehouse. Anyway as a result I listen to this original track and keep thinking how I prefer the remix. I want to force myself to like this partly because I love The Perfect Girl from Kiss Me, Kiss Me, Kiss Me even though this sounds nothing like it - not a great reason but I feel like The Perfect Girl and The Perfect Boy must go together. Presumably forming The Perfect Couple?

This. Here and Now. With You - Urgh, not sure about this one. There are always a few album tracks that you feel like skipping. I often find with these that they then become my favourite tracks on the album a couple of years on. So watch this space.

Sleep When I'm Dead - A bit like Sirensong in that I loved this single for the fact it seems to take the Cure down a different path to what you'd usually expect. I can't imagine this on Head on the Door at all - the album this was apparently originally written for. Pity there are no studio demos of this track kicking about from 1985 so we can do a then and now comparison. The guitars do have a nice Kiss Me, Kiss Me, Kiss Me feel to them - think Shiver and Shake.

The Scream - Great things often begin with a 'the' - The Cure, The Kiss, The Snakepit, The Lovecats, The Head on the Door, The Blood, The Baby Screams, The Drowning Man... And this adds to the album the angry, shouting, standing on the roof of a church howling at the moon song that we all know Robert Smith has in him. So much better than the Michael / Janet Jackson song of the same name (sorry).

It's Over - Get it? Jason Cooper has excelled himself on the final tune of the album. The drums and the bass completely drive this song and hold their own against the wall of sound guitars and breakneck vocal. The song finishes with the lyrics "Oh, I can't do this anymore, No, I can't do this anymore", which I hope isn't a reference to this being a last Cure album. I doubt it, as Robert himself has said he'll continue doing what he enjoys and at the moment that's the Cure. Plus I remember feeling the same in 2000 when listening to the 39 lyrics on Bloodflowers, "The fire is almost out and there's nothing left to burn..." Well you're still burning Bob, long may it continue.

The only thing that's missing from this album? - Trumpets! Come on Bob, you know you love trumpets, give us a single with trumpets, lots of them.

A-Ha - Take On Me literal song remake video

Somebody forwarded me on this YouTube video last week [update: video now removed from YouTube but available on funnyordie, embedded at end of post]. YouTuber DustoMcNeato has taken the original A-Ha video, changed all the lyrics to reflect what's happening in the song and resung it. Similar idea to the whole Sweding thing in Be Kind Rewind but with 80s cheese. Genius!

Here's the first couple of verses below, unfortunately they don't use the rhyming line 'Take On Me, Literally' that i've just made up, they've missed a trick there, so i'll use it myself. ;)

Take On Me, Literally Reading a book Lady brings a new cup of coffee Peek in the window She would rather keep on reading Look at the frame There's a handsome guy inside this comic Close up eyes Hand comes out Sketchy arm Grab the hand So now your inside Everything's drawn and super 80s Lots of squiggly lines When i stand her it makes me human I'm handsome either way You you like it that i'm flirting with you Come to me Magic frame Sing to you Band montage!

Take On Me, Original We're talking away I don't know what, I'm to say I'll say it anyway Today's another day to find you Shying away I'll be coming for your love, OK? Take on me Take me on I'll be gone In a day or two So needless to say I'm odds and ends, but that's me Stumbling away Slowly learning that life is OK Say after me It's no better to be safe than sorry Take on me Take me on I'll be gone In a day or two

Anyway enough of this, watch the video if you haven't already.

Top 10 drum intros of ALL TIME!

My top 10 songs with fantastic drum intros. This is a bit different to most of these top 10 drum intro songs on the web - I’ve gone specifically just for songs that feature the drums CRASHING in at the beginning of the song, however briefly.

1. The Cure - Why Can't I Be You
2. Van Halen - Hot For Teacher
3. Led Zeppelin - Moby Dick
4. The Cure - In Between Days
5. Led Zeppelin - Rock & Roll
6. Spin Doctors - Two Princes
7. Sweet - Ballroom Blitz
8. Lenny Kravitz - It Ain't Over 'Til It's Over
9. Toto - Rosanna
10. Blur - Song 2

This all started a few days ago when I was doing my review of Boyfriend by Alphabeat. A song that although not quite worthy of this top ten does feature a good strong drum intro. As a drummer (not a good one, I haven't played regularly in years!) I’ve got a particular love of good drumming and songs with good drum solos. I've also probably listened to many songs I don't really like purely for the drumming, Los Endos by Genesis springs to mind.

There are a few exceptions from the list because they didn't CRASH in as I would like, plus my list started as a top 19 so I needed to trim. Lost in the pruning was the excellent My Sharona (not quite ridiculous enough intro) and the mind blowing Money for Nothing (doesn't crash in and more of a genuine solo than just an intro).

I make no excuse for the Cure appearing twice, they don't appear in top tens enough!

While looking for these tunes I also came across some that didn't meet my strict criteria because they start with a vocal or spoken word, therefore I’ve made another table.

Top 3 tunes with drums crashing in immediately after a brief vocal / spoken lyric:

1. The Smiths - The Queen Is Dead (Take Me Back To Dear Old Blighty)
2. The Offspring - Pretty Fly (For A White Guy)
3. The Bloodhound Gang - The Bad Touch

Alphabeat - Boyfriend single review

I discovered this track in a way I’ve never discovered a track before. No it's nothing strange, weird or dodgy I just saw the video on the Hits and was hooked on this delicious slice of europop.



This is an alternate video i think, the original one was different.

RIP The Hits

Now I know you may be thinking that sounds like a fairly regular and normal way to find a track but I rarely watch the Hits, and when I do it's because I see 'top 20 of the eighties'. If I see 'the UK top 20 rundown' in the TV listing I run a mile. Also I’ve had so many appalling accidents where I’ve flicked over and found myself watching 'Boyzone's favourite 50 ballads' or 'Westlife's favourite 50 ballads' that I now subconsciously skip Freeview channel 18. I've just this second done a quick Google search for the channel number and I’ve now discovered it's no longer called the Hits but 4 Music so maybe I can give it another go... Well that means I can confidently say I discovered this track in a way I never will again.

Any track that crashes in with a drum beat has my attention, The Cure's Why Can't I Be You, Money For Nothing, Van Halen's Hot For Teacher, in fact I got so carried away with this line of thought that I went off and wrote a post purely about great tunes that begin with drums crashing in.

My favourite Christmas present of the 90s

The hundreds of cassette tapes in the video bring back fond memories of the TDK FE 90 that you could buy in packs of 10 for next to nothing in HMV. When it takes a vicious twist and the hot dancers are wrapped in the cassette tape at the end i'm slightly disturbed though.

After this you have the cute little voice and it's all the sort of fun that jumps straight into any good dance floor. In fact I think I’m getting a bit of a crush on Stine Bramsen's voice, much like I did a few years ago on the voice of Sarah Nixey, the singer in Black Box Recorder.

The similarities with Black Box Recorder don't end there for me unfortunately. My vocal love affair was solely restricted to Facts Of Life by Black Box Recorder, I didn't like any of their subsequent releases. I've just listened to all of Alphabeat's single releases from their self titled debut album and none have caught my ear, I think I might just have to own the single and move on..

I hope they surprise me and release another great tune like this one especially if it's got a big drum beat at the beginning.

Facts
Single released August 2008
UK chart position: 49 (So far, downloads only. Physical release 25th Aug)
Original album: This Is Alphabeat \ Buy on Amazon
More info: Wikipedia \ Lyrics \ Official site \ Anders SG interview

Where i have it:
I don't! But will visit iTunes tonight. I'm not quite excited enough to buy the album...

UPDATE: I've since heard their other single 'Fascination' numerous times, have it solidly stuck in my head and have downloaded it. Alphabeat, I take it back, i'm a fan.

The Avalanches (Wham! vs. Digitalism) - Ray of Zdarlight single review

The Avalanches have remixed this Wham! hidden classic, Ray of Sunshine, with some top quality German Electro house, Digitalism's Zdarlight, and the result is a glorious dance floor filler that still has George Michael on lead vocals, thank god for that.

This song is very elusive, the two pages on Last.fm don't seem to work and i can't find a physical release but it is on the Avalanches website apparently (you have to sign in). So for your enjoyment i've given it a video mash up with the original Zdarlight video and a Wham! video of them playing football in China (which had the original Ray of Sunshine over the top).

Me with my new Wham! LP

This song entered my life last week when a lovely lady found the original Wham! Fantastic LP in a charity shop and kindly bought it for me - it cost £2, who needs Ebay?! I do have this album kicking around on cassette somewhere but haven't listened to it in years. The only Wham i have these days is on CD - The Final and the Best Of.

So i gently placed the album on the record player and slowly brought down the needle on the cheese. I jumped straight to the album tracks that i'd forgotton about and I listened to the groovy and addictive Ray of Sunshine. The first line of the chorus has been going round in my head for days:

Sometimes,
You wake up in the morning with the bass line.

And it was when double checking these lyrics online that i stumbled across Ray of Zdarlight.

One of my cheese hobbies has always been trying to find good remixes of Wham! songs. This is because Wham! songs are so great to dance too but they are also intensly cheesy. Sometimes, well most of the time, playing any Wham! at a reasonably trendy party is just one step too far. I can maybe get away with Club Tropicana or some Duran Duran but unless it's a wedding or a pub full of Aussies and Kiwis it's difficult to get the crowd to love Wake Me Up Before You Go Go. Which is sad (in many ways) because George Michael knows how to write a good rhythm and kicking bass line.

This remix very simply puts the cheese that is Wham! over the top of the funky electro of Digitalism and produces a dance tune with an edge of 80s and a licence to be played in the trendiest of clubs, maybe. I love it.

Facts
Single released online only January 2007
Album: Maybe on the rumoured second Avalanches album?
More info: Digitalism MySpace \ Wham! lyrics

Where i have it:
MP3 found on internet. If it appears on a CD be sure to let me know.

Lene Lovich - Lucky Number single review

A quirky punk / new wave song from 1978. Amazingly fresh sounding considering this was first released on the Stiff record label 30 years ago. In fact the only part of this song that really makes me think 70s is Lene Lovich's vocals which are reminiscent of punk girl group The Slits but maybe with less shouting and a drop of Kate Bush. Listen to Lucky Number on Last FM.

Lucky Number was originally the B-side to Lovich's version of I Think We're Alone Now (listen to the Lene Lovich version on Last FM), made famous in the 80s by Tiffany. This single was originally just a demo although was also released as a mail order only single.

After the release of her debut album Stateless the following year, Lucky Number finally made it to the A-side and got its own release. In fact there was a complete switcheroo on the French 12" which featured I Think We're Alone Now on the B-side.

My favourite line of the whole song is and i quote:

"Something tells me Lucky Number's gonna be oweoweoweoweoweowe..."

Yes she really does say that, no phonetics needed. In fact a line that apparently (according to this excellent biog and interview) caused the record label boss to say, "That's the chorus?"

The little guitar riffs throughout this song are so addictive and ripe for sampling. There's also a Slavic Dance Version out there which sounds identical for the first 3 minutes before repeating itself for another two along with some classic 80s synth sounds.

Think of playing this in a set with some Banshees, some Cure and maybe early Spandau Ballet for a proper early 80s goth down.

Facts
Single released February 1979
UK chart position: 3
Original album: Stateless \ Buy on Amazon
More info: Wikipedia \ Discogs \ Lyrics \ Official site

Where i have it:
Track 3, Disc 8, Greatest Hits of the 80s - Album review \ Buy on Amazon

Glass Tiger - Don't Forget Me (When I'm Gone) single review

Glass Tiger, what a name! Makes you think of glam 80s rock bands with big hair, amps that go up to 11 and groupies in every city. Well mix this image with Wham! and you get the Glass Tiger we're talking about here. A quick Google image search brings up a number of fantastic images, including one with an unglazed tiger. Actually i've just watched the music video -maybe 80% Wham! : 10% Rod Stewart : 10% glam rock. Listen on Last.fm.

This tiger is not made of glass, it is real.

Not to be confused with the Simple Minds classic Don't You (Forget About Me), which is similar only by its obvious 80s-ness and use of brackets in the song title. A great dance floor tune it's the bass line that hooks me into this tune - simple repetitive notes that just go slowly up and down the scales. Maybe not quite in the same league as the kings of the bass line such as Another One Bites the Dust and Blue Monday but deserving of its place in my top 100 tunes with a good bass line (a post for another day).

This Canadian rock band were originally called Tokyo at a time when everyone wanted an oriental name, think Japan, China Crisis, Asia, Wang Chung and Turning Japanese, China Girl, China in Your Hand, One Night in Bangkok, Kashmir (I could continue, i won't) so clearly changed their name to avoid any confusion. Although big cats were popular in the 80s too - Def Leppard.

I had a quick look at the credits for this tune and for the second time this weekend i find i've been ambushed by Bryan Adams without realising it, the Canadian crooner sings backing vocals on this track. The first time he snuck up on me was yesterday as i listened to Mötley Crüe's Dr Feelgood album and found him also doing backing vocals on the track Sticky Sweet. But don't let Robin Hood's little helper take anything away from what is a classic 80s rock tune that needs to be getting more airplay (and air guitaring) on dance floors.

Facts:
Single released October 1986
UK chart position: 29
Original album: Thin Red Line \ Buy on Amazon
More info: Wikipedia \ Discogs \ Lyrics \ Official site

Where i have it:
Track 6, Disc 6, Greatest Hits of the 80s - Album review \ Buy on Amazon

Picture borrowed from this slightly bizarre animal photographing / training website.